Equipment

Photographers use all kinds of equipment to craft their art, from cameras and lenses to lights and accessories. We cover the latest news and information on the tools of the trade in the photography industry.
A sleek ASUS monitor displays vibrant abstract digital art, with a round webcam mounted at the center top. The monitor stands on a modern silver base against a dark, colorful, gradient background.

Asus’ New ProArt Color Calibration Ecosystem Helps You Achieve Accurate Colors

Asus is expanding its professional display ecosystem with the ProArt CaliContrO MCA02, a 3-in-1 colorimeter that combines precision color measurement, hardware and software calibration, and integrated display control into a single compact device. Aimed at photographers, video editors, designers, and other color-critical professionals, the tool reflects Asus’ continued push toward tighter integration between hardware, firmware, and software within its ProArt lineup.

Five different camera lenses are displayed against a close-up background of a green leaf with water droplets. The lenses vary in size and brand, and are arranged around the center of the image.

The Best Deals on Third-Party Lenses

Finding the right lens for your camera can transform your photography, whether you’re capturing landscapes, portraits, city streets, or distant wildlife. This week’s B&H lens deals are organized by mount type, making it simple to find the perfect fit for your system while taking advantage of significant savings. From compact primes to super-telephoto zooms, these offers give photographers a chance to upgrade their gear without stretching the budget.

Two Canon camera lenses are shown upright side by side on a white background. Both lenses have a black body with red rings near the top, and white text displaying technical details.

ACR and Lightroom Now Support Canon’s New Ultra-Wide Lenses

Adobe today added new camera and lens support to Adobe Camera Raw, Lightroom, and Lightroom Classic. Newly supported cameras include the OM System OM-3 Astro and the Ricoh GR IV Monochrome, while new lens support includes the latest lenses from Canon, Leica, and more.

A black rectangular device labeled "TAMRON-LINK" and "TAMRON" rests on a dark and light blue geometric background.

Tamron-Link Dongle Lets You Customize and Control Your Lens on iPhone

Alongside the exciting new Tamron 35-100mm f/2.8 Di III VXD lens for Sony E and Nikon Z-mount cameras, Tamron announced Tamron-Link, a new Bluetooth-enabled accessory to enable photographers to easily customize their Tamron lenses using a mobile device, including iOS and iPadOS devices for the first time.

A Tamron 35-150mm F/2-2.8 camera lens stands upright on a grid-patterned surface with a black background. “PetaPixel Reviews” appears in blue and white at the bottom left corner.

Tamron 35-100mm f/2.8 Di III VXD Review: Every Street Photo Focal Length

Tamron consistently creates zoom lenses that break the norm when it comes to focal length, offering alternatives to the classic patterns that most other manufacturers pursue. Even the more conventional Tamron 28-75mm f/2.8 and 70-180mm f/2.8 refuse to match the more common 24-70mm and 70-200mm formulae. However, the standout lens from Tamron in recent memory is the oddly effective 35-150mm f/2-2.8 lens, which proves to be an ideal event lens for almost any situation. If it could be faulted in any way, it would be due to its rather heavy weight and bulky size.

A split image: on the left, a woman with long dark hair in a ponytail, wearing a dark jacket, is lit by soft sunlight with a blurred background; on the right, a close-up of a black camera lens on a dark surface.

Voigtländer’s First Lens With Spherical Aberration Control Comes to RF and Z

The Voigtländer Portrait Heliar 75mm f/1.8 launched last May in Sony E-mount is now available for Canon RF and Nikon Z-mount mirrorless cameras. The lens has the manual focus and aperture control rings typical of Cosina Voigtländer lenses, but adds a third ring that gives photographers direct control over lens aberrations and bokeh.

A hand holds a black film camera with a large lens and a viewfinder, outdoors in front of a blurred airplane and the word "SPACE" partially visible on a building in the background.

This 3D-Printed Camera Can Make You Fall in Love With Panoramic Analog Photography

I love panoramic photography. There is just something special about a super-wide aspect ratio that flexes my creative muscles. I'm far from the only one. Photographer Jace LeRoy, who goes by analog_astronaut on social media, has also been bitten by the panorama bug. He recently showed off a camera he built, the Infidex 176, which uses 35mm film to capture 72 x 24 millimeter frames, and it's awesome.

A person is scanning a strip of photo negatives with a digital scanner, which displays a developed image of a wedding party celebrating outdoors.

HP FilmScan 7″ Brings Old Negatives and Slides Back to Life

HP has introduced the HP FilmScan 7" Touch Screen Film Scanner, a user-friendly digitizer designed to convert old negatives and slides into high-resolution digital files without requiring a computer during scanning. Featuring a large touchscreen interface, built-in editing tools, and HDMI output, the FilmScan aims to make preserving film archives simple and accessible.

A compact black digital camera with a wrist strap rests on a wooden table in a softly lit indoor setting, with a blurred background of people and windows.

Ricoh GR IV Firmware Update Adds an Electronic Shutter

Ricoh Imaging has released a new firmware update for the Ricoh GR IV and Ricoh GR IV HDF compact cameras that adds an electronic shutter function to standard GR IV camera, adding the new feature that is already available in the Ricoh GR IV HDF and Ricoh GR IV Monochrome.

A group of football players in a game.

How Canon Gear Captured All the Action During Super Bowl LX

While the Seattle Seahawks bask in the glory of a Super Bowl victory, Canon is taking a victory lap of its own, boasting that it made more than 98 percent of the lenses NBC used for its Super Bowl LX broadcast last Sunday at Levi's Stadium in Santa Clara, California, the home of the San Francisco 49ers.

Two black adjustable light stands with gold accents are shown on the left; one is extended taller than the other. On the right is a close-up of a "MAGMOD" branded clamp on one of the stands.

MagMod Believes it Just Reinvented the Light Stand

MagMod has launched the MagStand on Kickstarter, aiming to rethink one of the most overlooked pieces of gear in photography and video production: the light stand. Within the first 48 hours, the campaign attracted more than 1,100 backers and surpassed $350,000 in funding, positioning it among the strongest recent photo gear launches on the crowdfunding platform.

A person stands behind a large, open, white photography umbrella with only their head and hands visible above it, against a black background.

Snap Rabbit Softbox Delivers Big, Soft Light in a Snap

DoPchoice has introduced the Snap Rabbit Octa 5' Snapbag, a new softbox system designed to simplify setup while maintaining the high-quality light control expected on professional sets. Built for today’s high-output COB LED fixtures, the Octa 5' aims to reduce assembly time without sacrificing diffusion quality or output efficiency.

A large black camera lens sits on a wooden surface, featuring dials and switches. Blue "PetaPixel Editor's Choice" and "PetaPixel Reviews" banners are overlaid on the image.

Panasonic Lumix S 100-500mm f/5-7.1 O.I.S. Review: Slow and Steady

For the last several years, if you were an L-Mount user looking for a super telephoto lens, Sigma was your only option (or a Leica version of a Sigma lens). Now Panasonic has introduced their longest full frame lens yet, with the Lumix S 100-500mm f/5-7.1 OIS. It’s compact and light, but also slow and expensive. Is there a place for this $2,100 lens in the L-Mount lineup? Let’s find out.