This video wasn’t filmed with a DSLR, but it’s so beautiful we just had to share it with you. Patrick Lawler filmed some of his favorite locations in San Francisco using a RED ONE camera at 4K 16:9 resolution, creating a breathtaking glimpse of this wonderful city. In case you’re wondering, the music is from the solo album of Jonsi, the lead singer of Sigur Rós.
Fine art now comes in concentrate. This video, created by graphic design student Chris Peck, shows every painting in the Museum of Modern Art in New York City as they were on April 10, 2010.
Tom Hogarty, the Lightroom product manager over at Adobe, has posted a sneak peek at the automatic lens correction technology that will be included in Lightroom 3 and Adobe Camera Raw 6 (included in CS5).
Using profiles for lenses that are either included or added by the user, the feature can automatically correct the distortion, chromatic aberration, and vignetting characteristics of particular lenses, helping you to “normalize” how your work looks across your various lenses.
With the introduction of killer new noise reduction, demosaicing algorithms, and sharpening plus sophisticated lens correction, the Lightroom/Camera Raw duo put even more distance between themselves and the competition, and I’d expect them to keep mopping the floor with Aperture among pro photographers.
As you can see from this quote and from recent events, Adobe and Apple absolutely love each other.
Here’s a pretty interesting sneak peek video showing you the lens correction technology in action:
This amazing video by Spacecraft Films shows the July 16, 1969 launch of the Apollo 11 mission that landed the first humans on the moon. The camera was rolling at a whopping 500 frames per second, allowing the first 30 seconds of the launch to be slowed down into this 8-minute narrated video of pure awesomeness.
This amazing video by Romain Pergeaux and Alex Profit shows a journey around the cities of the world in 80 seconds through stop-motion. It was shot with a Sony HX5V compact camera, and shows 640 different photographs at 8 photographs per second. A special rig was also used to show a physical globe with pins in every shot, and the photographs were taken over the course of only 3 weeks. From the official website for the video, it looks like a viral promotional video for Sony’s camera, but it’s a pretty awesome effort nonetheless.
Google recently added high-quality street level photographs to Google Earth, presumably using the imagery captured through its Street View van cameras. While it’s an interesting development, the fact that everything is flat is a bit strange, and makes you feel as though you’re looking at an outdated video game. How many more years do you think it will be until we’ll be able to virtually tour the streets of a city in true 3D?
This breathtaking timelapse was created by Tom Lowe of Timescapes, showing footage from his first film, “Southwest Light”. We love how camera movement adds another epic dimension to the footage, as if the stars spinning in the expanse overhead isn’t enough. If you have a minute and a half to spare, definitely take a look at this video.
Here’s an interesting behind the scenes video that shows the creation of a Canon 500mm f/4.0L IS lens. It’s a neat look at the guts of glass, and an opportunity to see how exactly the various components of a lens are created and put together.
You get to see the entire process, starting with raw materials and ending with the finished, $6,000 lens.
Seeing how fine-tuned many of the steps in the process have to be, it’s no wonder these lenses can end up costing as much as a car.
Here’s an amazing stop-motion video created for Nissan, and promoting zero emissions mobility. It’s amazing that a sense of speed and danger can be created from photographs of people sitting still in wooden chairs.
You can do this same idea with an “invisible” bike or car as well. Just take photographs of a person jumping into the air and posing as if they’re riding a bike or driving a car.
In addition to Content Aware Fill, Puppet Warp is another powerful feature to be included in Adobe’s upcoming Photoshop CS5.
In this demo, it’s used on a layer containing a wooden mannequin, allowing the limbs to be manipulated as you would be able to do in real life prior to photographing it. The feature is then applied to rope, digitally tying it into a knot, and finally to fix distortion in a multi-photo panorama.
While this feature isn’t as mind-boggling as Content Aware Fill, it’s definitely something those of you excited about CS5 can look forward to.