New photos have emerged showing the retro OM-styled EM-5 Micro Four Thirds camera that Olympus is planning to unleash on the photo world. It’s the first camera in a new OM-D line, and offers a beautiful old school SLR aesthetic. The image above, which looks like some kind of ad, reads,
A new digital SLR era is about to begin. Digital SLRs, which simply replaced film with an imaging device did not change significantly in terms of size, weight and user interface. The revolutionary, new mirrorless camera, the OM-D, has an exceptionally light and compact body. Its Electronic View Finder enables photographers to check the Art Filter effect, color temperature, and exposure levels in real-time. When shooting, you can instantly “create” a truly unique world and preserve it in exceptional quality. The “world” will be transformed from something you see to something you “take part” in.
The OM-D is a groundbreaking, new digital interchangeable lens camera perfect for people who want to “take part,” “create,” and “share.”
Canon’s new 1D X DSLR shoots at a whopping 14 frames per second, but did you know that it’s not the first Canon SLR capable of that frame rate? Nearly 30 years ago, back in 1984, Canon unveiled the “F-1 High Speed Motor Drive Camera”: a camera powered by huge battery packs that could chew through a roll of film in 2.57 seconds.
Canon created this short but interesting video showing how its SLR cameras evolved from the Canon Flex in 1959 to the latest DSLRs that currently dominate the industry.
If for some reason you’ve always wanted pair up your SLR lenses with the tiny sensor found on the iPhone 4, Photojojo has a new mount that can make your dream come true. The package includes a special aluminum case for your phone, a UV filter attachment, and the lens adapter, and almost guarantees that you’ll be the strangest looking iPhone shooter on your street. Read the rest of this entry »
Online SLR Camera Simulator is a neat flash app that helps teach the fundamentals of using an SLR camera by letting you tweak different variables and settings, then showing you what the resulting photograph would look like. It’s a great way for any beginner to become more familiar with a camera’s controls, though nothing beats going out and practicing by taking real photos — though this app would have been a lifesaver before the digital era.
The Nikon F, Nikon’s first SLR camera, played an important and influential role in photographic history after it was unveiled in 1959. It was the first to combine many of the emerging camera design ideas into a single body, and was the first SLR system widely adopted by professional photographers around the world. This is an interesting 20 minute documentary film that tells the story of how the camera was designed. Read the rest of this entry »
Here’s a pretty lengthy video tutorial by the (unofficial) Nikon Help Hotline channel on YouTube teaching how to properly and thoroughly clean a camera lens.
What would it look like if you tripped and with a Pentax Spotmatic F camera in hand, and it somehow smashed neatly into its most basic components? Artist Todd McLellan gives us an idea by taking one apart, neatly arranging it on a table, and photographing it in a style similar to Carl Kleiner’s IKEA baking book shots. Read the rest of this entry »
Today, Canon Japan’s Image Communication Products head Masaya Maeda said that Canon is working on a smaller version SLR to be released in the near future. In an interview with Reuters, Maeda said the idea behind the small SLR is that it could compete with Nikon’s future mirrorless system and other existing EVIL systems that are inherently more compact than most current mid-level DSLRs.
Maeda did not reveal whether the new Canon camera would include a mirror, but he suggested that the company has their focus elsewhere. Maeda said:
It’s not a question of whether or not you have a mirror. There is a consumer need for good-quality cameras to be made smaller … We will meet this need.
Still, Maeda did not commit to a solid answer about internal mirrors, though he suggested that there may be more ways to reduce the size of SLRs without removing the mirror.
Reuters cited an analyst, Kazumasa Kubota of Okasan Securities, who believes Canon may be wisest in sticking to traditional SLR designs. Kubota added, “Looking directly at something through a viewfinder is different from seeing it indirectly via semiconductors.”
What do you think? Is Canon on the right track, or are they missing the next gravy train?
Canon and Nikon broke ground when they launched DSLRs that have HD video capabilities. Now Sony’s taking a different approach by offering a comparatively affordable HD video camera with all the attractiveness of interchangeable lenses, plus the ability to take high resolution stills.
Not only will the camcorder share the same Sony E-mount as the NEX series (it comes standard with a kit 18-200mm f3.5-6.3 lens), Sony DSLR owners will be pleased to know that with a separate adapter, the camcorder can be mounted with any A-mount lenses — including Sony G and Carl Zeiss lenses.
The camcorder also has the same Exmor APS HD CMOS sensor as the NEX-3 and NEX-5. The DSLR sized sensor alone gives the camera a lot of extra real estate to work with; Sony boasts the sensor to be approximately 19.5 times larger than the standard sensor of conventional camcorders.
The NEX-VG10 can shoot 1920×1080 high def video at 60 fps, which Sony says is ideal for Blu-Ray recording. And for stills shooting, it can capture 14 megapixel images with a continuous burst of up to 7 fps.
Some benefits of using the NEX-VG10 over a video DSLR is that the camcorder has the right ergonomics and image stabilization for shooting video, and doesn’t have the same limited clip time that plagues DSLR video shooters — it can shoot up to 315 continuous minutes. Also, Sony says the NEX-VG10 has a silent auto-focus system that could cut down on noise typical on video DSLRs.
Stills shooters may appreciate the camera’s Auto HDR mode, but the fact that it doesn’t shoot RAW images could be a dealbreaker.