“Exposing to the right” is a well-known rule of thumb for maximizing image quality by pushing exposure to avoid noise, but the equation is changing as the quality of image sensors continues to improve. Ctein over at The Online Photographer writes,
In theory, you can still use the dubious right-hand rule. Just be careful to never blow out any pixels.
[...] Unless you’re sure you’re dealing with a low contrast subject, pushing your exposure to the high side makes it likely you’ll blow highlights. If you’re trying to improve your odds of getting a good exposure, pulling away from the right is a much smarter thing to do. If you know your subject is really high in contrast, pull far, far away from the right. Keep those highlights under control and let the shadows go where they may.
[...] Just, whatever you do, don’t expose to the right unless you’re absolutely positive there are no highlights to get blown. It was a questionable rule to begin with; these days I call it downright dangerous.
As you might know, different copies of the same lens can vary in quality, and some people go as far as to purchase multiple copies to pick the sharpest one before returning the others. Roger Cicala over at LensRentals wanted to quantify exactly how much variation actually exists between copies of the same lens, so he subjected some to Imatest quality tests:
[...] while the Canon 100mm f/2.8 IS L lens is a bit sharper than the other two on average, not every copy is. If someone was doing a careful comparative review there’s a fair chance they could get a copy that wasn’t any sharper than the other two lenses. I think this explains why two careful reviewers may have slightly different opinions on a given lens.
That’s interesting to think about. Two highly objective reviews of the same lens could come to different conclusions about relative sharpness compared to other lenses, simply because there are differences among copies of that lens. Too bad reviews are usually based on a single copy of a lens, rather than the average performance of multiple copies.
DxOMark has just published its findings on the quality of Nikon’s new mirrorless camera sensor, and the verdict is that Nikon did a pretty good job milking quality out of the small 1-inch sensor:
With regard to its size, this ranking is a big surprise, as the Nikon J1 sensor manages to score close to or even better than larger sensors (including 4/3 sensors).
[...] On the other hand, its low-light ISO score is a bit low: 372, which reflects the impact of the sensor size. Indeed, this score is naturally dependent on the sensor size: the bigger the sensor, the more light it captures. So even though the quality of the pixels provided by Nikon is very close to that of its main competitor, its sensor size physically limits the image quality.
If low-light shooting is your thing. then you might want to look into cameras with larger sensors. However, for everyday photography the new Nikon line perform surprisingly well given how much smaller its sensor is compared to its competitors.
The relatively small 1-inch CX-format sensor found in Nikon’s new mirrorless cameras caused quite a bit of discontent among serious shooters even before the cameras were announced, but now that it’s official we finally have the opportunity to see its image quality in real-world environments. dpreview has published a gallery of 23 JPGs shot with the Nikon J1, along with 5 RAW files shot between ISO 100 and ISO 3200. Take a look, and judge for yourself.
There are several things you can and should do to get the most out of the images from your point-and-shoot camera. If you use it correctly, people won’t know with what camera the shot was taken.Check out the photograph above and guess which camera it was taken with. I’ll reveal the answer at the end of the post. Read the rest of this entry »
Turns out Fujifilm’s new FinePix X100 isn’t just nice to look at — DxOMark just published results from testing the camera’s APS-C sensor, finding that it delivered better results in all aspects compared to the best Micro Four Thirds camera sensors (namely the Olympus PEN EP2 and Panasonic Lumix DMC GH2) and rivals the quality of the best APS-C sensors found in DSLR and SLT cameras. Now if only the camera would start becoming available here in the US…
DXOMark.com just published their review of the Pentax K-5 sensor, finding that it was superior to every other APS-C sensor they’ve tested:
No need for suspense: this new 16.3 MP sensor is simply the best APS-C we have tested so far, sometimes able to compete even with very high-end full-frame cameras.
The overall score of the K5 puts it in the lead with 82 points — more than 9 points better than the D90 or the Alpha 55, and 16 points ahead of the Canon 7D or 60D. The K5 is literally the best APS-C performer for each segment, even in low ISO.
Lexar recently put out this video showing what goes on inside their quality labs. It’s pretty much an advertisement for the brand, but it’s an interesting look at how the memory cards we use are tested for quality. It’s pretty crazy how each of the memory card lines are tested on the 800+ cameras and devices stored in the lab, and how there’re high-tech machines for testing everything from shocks to temperature in a controlled way.
Speaking on the explosive improvement of camerephone technology in Helsinki yesterday, Nokia Executive Vice President Anssi Vanjoki shared his vision of the future for cameraphones — a future without DSLRs.
Pointing at a professional photographer in the room, Vanjoki said, “There will be no need to carry around those heavy lenses.”
From a poll we ran on PetaPixel last week, we found that 59% of our readers didn’t believe cameraphones would replace even compact cameras. We didn’t even think to mention DSLRs, since there currently does not seem to be any answer as to how cameraphones will address their disadvantage of smaller sensors and poorer optics.
Perhaps these quotes and articles aren’t intended to suggest that the DSLR market will be replaced by cell phones, but rather that the quality difference will be reduced to the point that those who simply bought DSLR cameras for casual photography might be satisfied with cameraphone quality.
If that’s the case, these claims might be true. Enough consumers may buy into the megapixel myth and eschew fancier cameras for the increased “megapixel power” of cameraphones. In the same speech, Vanjoki also predicted that cellphones will be capable of filming HD video within the next 12 months.
Once we see a “Last 3 Minutes” caliber film shot with a cameraphone, we’ll be believers. Until then, we’ll keep bringing our DSLR to weddings.
Speaking on the explosive improvement of camerephone technology in Helsinki yesterday, Nokia Executive Vice President Anssi Vanjoki 
