Red Peak Branding conducted an experiment last year in which they chained a fully loaded bicycle (bells, basket, lights, and the whole shebang) to a post on a busy New York City sidewalk. They then visited and photographed the bicycle every single day, resulting in the 365-photo time-lapse video seen above. What’s interesting is that the bicycle remains untouched for roughly 230 days, but once small parts start getting stolen the rest of the bicycle soon follows. This might have something to do with what’s called the “broken windows theory“.
A few weeks ago, Brooklyn resident Katie O’Beirne did a weekend project in which she left a disposable camera on a Prospect Park bench with a note asking passer-bys to snap a photograph. After getting the film developed and finding some cool photos, O’Beirne decided to continue with the project, leaving disposable cameras in a number of other spots around NYC. The resulting photographs can be seen on a Tumblr page she set up called “new york shots“. Read the rest of this entry »
This photograph by Jimmay Bones, titled “Eye of the City“, shows a mirrored cityscape of New York City. It’s neat how the Empire State Building is connected to itself, transformed into a giant pillar holding up the “sky”. The photo reminds us of Simon Gardiner’s vortograph of the Champs-Élysées that we shared recently.
You can find a higher-res version of this image here.
As a tribute to 9/11, Jason Powell revisited locations where photos of the attacks were captured on that fateful day and rephotographed them with the photos overlaid on the background. Read the rest of this entry »
Frank Oscar Larson was an auditor living in Queens back in the 1950s who had a passion for street photography. Every weekend he would travel around the city armed with his Rolleiflex camera, photographing the things that caught his eye. After Larson died of a stroke at the age of 68 in 1964, his photographs quietly sat in a cardboard box for 45 years before finally being discovered by his son’s widow in 2009. They offer a beautiful look into what life in NYC was like half a century ago. Read the rest of this entry »
We’ve shared beautiful timelapse videos already for San Francisco and Toyko, and now here’s one of New York City. It was shot by Josh Owens using a Canon 5D Mark II (with the 14mm 2.8L, 24mm 1.4L, 50mm 1.2L, and 70-200 2.8L), and a Dynamic Perception timelapse dolly.
Joe Wigfall is a photo enthusiast and street photographer that won WNYC’s Street Shots Challenge back in 2008. This is the same contest that created the behind-the-scenes video featuring Bruce Gilden that became pretty popular on YouTube. As you’ll see, Wigfall’s approach towards street photograph is quite different from Gilden’s get-up-in-your-face approach.
Joe Wigfall can see with his hands. Never lifting his camera to his eye, he shoots hundreds of photos during his lunch hour or walking to the train after work. A true artist, Joe brings a bit of himself into each of his photographs.
Superheroes is a project by photographer Dulce Pinzon in which she shoots Mexican migrant workers in New York City as well-known comic book characters while they’re on the job. In addition to creating the photographs, Pinzon documents the worker’s name, the hometown in Mexico, and the amount of money they send back to their families each week. Read the rest of this entry »
Google recently added high-quality street level photographs to Google Earth, presumably using the imagery captured through its Street View van cameras. While it’s an interesting development, the fact that everything is flat is a bit strange, and makes you feel as though you’re looking at an outdated video game. How many more years do you think it will be until we’ll be able to virtually tour the streets of a city in true 3D?
It is shot on a Nikon D3 (and one shot on a D80), as a series of stills. I used my Tamron 17-50mm f/2.8 and Sigma 50-150mm f/2.8 lenses for all of these shots. Most were shot at 4fps in DX crop mode, which is the fastest the D3 could continuously write out to the memory card. The boats had slower frame rates, and the night shots used exposures up to two seconds each. [...] I shot over 35,000 [stills].
I did some initial tests a while back using a rented 24mm tilt-shift lens, which is the standard way to do this. However, after my tests, I found it made much more sense to do this effect in post, rather than in camera [...] The entire shoot was completed in 5 days and two evenings, during the hottest week of August 2009.
We found it interesting that the tilt-shift effect was faked (as was most of the movement of the camera).
