Back in the spring of 1980, Magnum photographer Bruce Davidson began to photograph the subway system in NYC for his project titled Subway. NYRBlog has published an interesting essay — an excerpt from the introduction of Davidson’s book — in which the photographer talks about his experience:
To prepare myself for the subway, I started a crash diet, a military fitness exercise program, and early every morning I jogged in the park. I knew I would need to train like an athlete to be physically able to carry my heavy camera equipment around in the subway for hours every day. Also, I thought that if anything was going to happen to me down there I wanted to be in good shape, or at least to believe that I was. Each morning I carefully packed my cameras, lenses, strobe light, filters, and accessories in a small, canvas camera bag. In my green safari jacket with its large pockets, I placed my police and subway passes, a few rolls of film, a subway map, a notebook, and a small, white, gold-trimmed wedding album containing pictures of people I’d already photographed in the subway. In my pants pocket I carried quarters for the people in the subway asking for money, change for the phone, and several tokens. I also carried a key case with additional identification and a few dollars tucked inside, a whistle, and a small Swiss Army knife that gave me a little added confidence. I had a clean handkerchief and a few Band-Aids in case I found myself bleeding.
It’s an interesting glimpse into the mind of a photographer who takes his work very seriously.
A few weeks ago, Brooklyn resident Katie O’Beirne did a weekend project in which she left a disposable camera on a Prospect Park bench with a note asking passer-bys to snap a photograph. After getting the film developed and finding some cool photos, O’Beirne decided to continue with the project, leaving disposable cameras in a number of other spots around NYC. The resulting photographs can be seen on a Tumblr page she set up called “new york shots“. Read the rest of this entry »
Husband and wife photography duo Davide Luciano and Claudia Ficca have a project called “Potholes” in which they stage unusual scenes around giant potholes found in large cities (e.g. Montreal, NYC, LA, and Toronto). The project started after they collided with one such pothole and needed a way to channel their frustration into a positive project, transforming something useless into something humorous and creative. Read the rest of this entry »
Used in New York back in 1938, this revolver camera was a Colt 38 with a tiny camera that would capture a photograph whenever the trigger was pulled. I sure hope those sample photographs taken with this revolver were shot while the gun wasn’t loaded…
Videographer Michael Justin Porco walked around Central Park in NYC a few days ago snapping photographs, after starting to shoot photos for a time-lapse of Bethesda Fountain, it began drizzling and he only shot ten frames (one every 5 seconds using an intervalometer). When he reviewed the frames, he was amazed to discover that he had accidentally captured a sequence of photographs showing a man proposing to his girlfriend.
And that’s when I saw it. Directly in the middle of the frame, as if I had planned it: a man proposing to his girlfriend. 50 seconds. 10 pictures. A fleeting moment now relive-able.
I don’t know who this couple is or where they’re from. I don’t know if they’re New Yorkers or here on vacation. Finding them will be near impossible. But in this social world of Facebook and Twitter, I’m hoping we can track them down. This is something they should have.
Earlier this year a roll of film lost in NYC was returned to its owners after the story went viral on the Internet… and the owners lived in Paris! Porco is attempting to do the same thing with these photos, so if you know anyone who got engaged in Central Park on Saturday May 7th at around 12:41 pm, contact him!
We’ve shared beautiful timelapse videos already for San Francisco and Toyko, and now here’s one of New York City. It was shot by Josh Owens using a Canon 5D Mark II (with the 14mm 2.8L, 24mm 1.4L, 50mm 1.2L, and 70-200 2.8L), and a Dynamic Perception timelapse dolly.
“Moving Stills” is a short 10-minute documentary created back in 1978 to show how New York-based photo agency Contact Press Images operated. It’s a fun blast from the photographic-past — a world where images are captured on expensive rolls of film and where editors review photographs on a lightbox with a loupe.
Earlier today, Dallas Morning News photo editor Guy Reynolds noticed a strange relationship between two Getty images of golfer Matt Bettencourt at the Reno-Tahoe Open golf tournament. One photo featured a tight image of the golfer holding up his ball, victorious, after the 11th hole. The other image, vertical, shows the golfer in the same position, but with another person standing in the background, possibly the golfer’s caddy. Initially, Reynolds assumed the photograph was taken by two different photographers, from different angles. However, upon further inspection, Reynolds realized the photo was taken by the same photographer, Marc Feldman, and it appeared that the tighter image was actually altered to omit the second person. Read the rest of this entry »
It’s the end of an era. Photojournalist Steve McCurry has developed the last roll of Kodachrome film produced by Kodak.
National Geographic has been following the final journey of the last Kodachrome roll ever since Kodak’s announcement last year that it would retire Kodachrome. Kodak has been manufacturing Kodachrome since 1935.
McCurry developed 36 slides on Monday at Dwayne’s Photo Service in Parsons, Kansas, which is the last labs to process the film type. The final images were shot in New York City, but the last three frames were taken in Parsons.
If you’ve got undeveloped canisters of Kodachrome of your own, Dwayne’s will develop them only through December of this year.
