Photographer Martin Schoeller traveled to the annual “Twins Days Festival” in Twinsburg, Ohio to photograph pairs of identical twins in his trademark close-up style.

The portraits were made for a National Geographic cover story on twins. You can find more of Schoeller’s work here.

A Thing or Two About Twins [National Geographic]

Image credits: Photographs by Martin Schoeller/National Geographic, and courtesy of VAUGHAN HANNIGAN

Ever wonder how the photographs found on the pages of National Geographic come together? Here’s a fascinating behind-the-scenes video showing how the images of the 1992 cover story titled “The Sense Of Sight” — photographed by Joe McNally — were shot, edited, and arranged. McNally writes,

And changes. Man, is that an understatement. High res digital cameras have replaced film cameras. Hard drives store pictures, not little yellow boxes. Kodak’s stopped making carousel projectors. Photographers go to the magazine far less often, given digital transmission. Ties and jackets are seen less frequently.

But, the main mission, over time, has remained. Tell a good story in pictures. The major components–photographer, picture editor, designer, magazine editor–are all still in place, and the interplay among them is ongoing and largely unchanged.

The next time you pick up an issue of National Geographic and are tempted to flippantly flip through the images, consider these crazy facts: the 40 page/40 picture story took roughly a year to create from idea to completion and required 1200 rolls of film shot during 6 months of field work!

(via Joe McNally)

National Geographic photographer William Albert Allard has written an interesting blog post on how he got his job and how aspiring photographers can follow in his footsteps:

One just doesn’t walk in off the street to get a job at National Geographic anymore. That was almost half a century ago when there were many more magazines being published that used good photojournalism. And the number of really fine photographers was not nearly as high as I believe it is today. So it’s much tougher to do what I did so long ago. But not impossible.

[...] I would never tell anyone you can’t get there from here, regarding getting to photograph for National Geographic. But, if that’s what you want, you have to want it really bad and dedicate yourself to developing your eye and photographic abilities to the very best you can, and then try to do even better than that. Don’t worry about being better than anybody you know personally or whose work you admire. Simply try to be better tomorrow than you were yesterday. You are not so much in competition with others as you are with yourself. Be your own toughest critic.

How Did I Become a National Geographic Photographer? (via The Click)

Image credit: NATIONAL GEOGRAPHIC. by MJ/TR (´･ω･)

Ever wonder what National Geographic photographers go through to get the beautiful shots that appear in the yellow-bordered magazine? The Photo Society — an interesting new website created by the magazine’s Photographer’s Advisory Board — recently surveyed 45 Nat Geo photographers about hazards they’ve encountered while on assignment. All the incidences were then counted up and turned into a fascinating table showing how “glamorous” the photographers’ lives are. You can also read short vignettes of these experiences here.

The Hazards of a National Geographic Photographer… [The Photo Society]

Thanks for sending in the tip, Brian!

This amazing photograph by Ricardo Mohr shows the volcano Puyehue-Cordón Caulle in southern Chile erupting this past June. After being submitted to National Geographic’s My Shot photo community, the photograph was selected as one of the magazine’s “Pictures We Love: Best of October.” You can download a high-res version to use as a wallpaper here.

Chile Ash Cloud (via Boing Boing via Laughing Squid)

Image credit: Photograph by Ricardo Mohr

‘Life In A Day‘ is a historic crowdsourced documentary film that shows what the world was like on a single day: July 24, 2010. People in 140 countries around the world captured snippets from their lives on that day and submitted 80,000 video clips to YouTube. Oscar-winning director Kevin Macdonald and executive producer Ridley Scott then edited those 4,500 hours of footage into a 95 minute long feature film. After debuting at Sundance and being streamed on YouTube earlier this year, the film is now free to watch. Enjoy.

(via YouTube via PhotoWeeklyOnline)

If you think you can’t compete as a photographer because you’re past a certain age, think again. Here’s a fantastic quote by National Geographic Editor-in-Chief Chris Johns from an interview he gave back in 2005:

There are a lot of exciting photographers out there. Our new director of photography, David Griffin, and assistant director Susan Smith are making a much stronger push than we have in the past to identify young, emerging talent. They’re not necessarily age-specific either. Often photographers start to find their traction in their 50s.

Johns also says that photography’s transition to digital has also helped photographers develop more quality; getting feedback is easier than ever, and many of the prohibitive costs are no more.

60 Minutes With Chris Johns (via The Online Photographer)

Image credit: Something to Take Home to Think About Besides Homework by B Tal

Back in 1996, National Geographic released a documentary film titled “The Photographers” that gives the world a behind-the-scenes look at how the magazine’s amazing imagery is created:

Going behind the camera and on assignment with veteran photographers for National Geographic, this documentary answers the eternal question asked by the magazine’s readers: “How in the world did they get that shot?” The photographers recount the grueling preparation that shooting for the magazine entails, from mundane details such as obtaining visas to preparing oneself for dangers such as severe climates, deep-sea dives, raging beasts, and local bandits. [...] this video is a visual delight, as many examples of noteworthy National Geographic photographs, and entertaining explanations of how the shot was set up and snapped, appear throughout. [#]

What’s great is that you [US residents] can watch the entire 53-minute film for free over on SnagFilms.

The Photographers (via NYIP)

Update: Readers are reporting that the film isn’t available outside the US. Sorry guys…

Here’s an inspiring video in which photographer and speaker Dewitt Jones talks about how he looks for “right answers” when he was doing assignments for National Geographic. Rather than specific tips or techniques, he mostly talks about high level ideas while showing off some of his stunning photographs.

Here’s an uber-inspiring video in which National Geographic photographer Sam Abell discusses the difference between “taking” and “making” photographs through his experience of shooting one particular photograph for a story on painter Charles M. Russell. He explains that taking an image is shooting a photo as a reaction, without any preparation, while making a photograph is a process.

Abell spent one-and-a-half years hunting for and making the perfect photograph of bison skulls, and shot 25,000 frames for the 8 photographs that appeared in the story. Now that’s commitment.

(via The Atlantic via Chase Jarvis)