Panasonic has just pulled the wraps off the Lumix DMC-GF2, the company’s smallest and lightest Micro Four Thirds camera. The cameras has a built in flash, employs a 3 inch touchscreen on the back, shoots stills at 12.1MP, captures 1920 x 1080 HD video, and has an ISO range of 100 to 6400. It’ll start shipping in January 2011, with the price secret until about a month before then.
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The Pinwide is a new pinhole cap by Wanderlust Cameras that takes advantage of the mirrorless nature of Micro Four Thirds cameras by recessing the cap into the body of the camera, achieving a wide field of view and strong natural vignetting. The “lens” is the equivalent of a 22mm on a 35mm camera, and boasts a perfectly round pinhole “made with the same precision etching technology used to manufacture semicoductors” to ensure sharpness.
Sample photos after the break
If you have a Panasonic Micro Four Thirds camera and a love for retro photos, the Skink Pinhole Pancake Pro Kit can instantly turn your camera into a digital Holga pinhole camera. It’s a modular system that provides three kinds of “holes”:
Depending on the desired effect, you can use your camera as a pinhole-, zone plate- or zones sieve camera. To a high degree the installed aperture determines how your vision is creatively interpreted in rendering an image. The traditional pinhole creates relatively sharp images with exposure times ranging from one second to several minutes. With a zone plate or zone sieve however, photos can be taken without a tripod, if the lighting conditions permit higher speeds.
Olympus is ditching the entry-level DSLR in favor of its Micro Four Thirds mount PEN line of EVIL cameras. In an interview with Fotopolis, Toshiyuki Terada — the Product Manager of Olympus’ SLR Planning Department — is quoted as saying,
We do not have concrete plans to replace the E-620 and other recent SLRs. The entry level SLR class can be completely replaced by the Pen system in terms of performance.
Later in the interview, Terada seems to say that leaving the DSLR market entirely is one of the company’s goals. Read the rest of this entry »
Lensbaby unveiled a new accessory at Photokina called the Tilt Transformer, which allows you to use Nikon mount lenses on EVIL camera bodies as an instant tilt-shift lens with twice the tilt of normal TS lenses. It’s currently available for Micro Four Thirds bodies, but will be available for Sony NEX cameras as well starting on October 28, 2010. The Tilt Transformer comes with the Lensbaby Composer in a $350 package, or separately for $250.
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Panasonic announced the Lumix GH2 today at Photokina. Here’s the low down: the GH2 is a 16.05 megapixel Micro Four Thirds EVIL camera with an ISO range of 160 to 12800, 23 autofocus points, face detection, a 3-inch swiveling LCD screen, and HD video recording at 1080p (60i/24p). You can also use the 3D lens Panasonic announced recently to capture 3D photos with this camera. This camera will ship by the end of this year at a price of $900 for the body only.
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Panasonic just announced the HDC-SDT750, touting it as the “world’s first 3D consumer camcorder”. The exact claim is slightly dubious, since we featured a different one last month, but it’s definitely the first 3D camcorder unveiled by any of the major camera corps.
The camcorder uses an included 3D lens to record two separate images on its standard 1080p sensor, meaning the resulting 3D video only has a resolution of 960 x 1080. If you’ve got a spare $1,399 lying around, the camcorder will be available starting in October 2010.
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Olympus just launched a new online publication called “PEN – The Magazine“. It’s available through a Flash viewer online (sorry iPad users), or as a PDF you can download. The first issue features six users of the Micro Four Thirds PEN system, and also an advertisement for why you should be using the system too (gasp!). Now all the other camera companies need to release free online magazines for their camera systems as well.
By the way, yesterday Olympus launched the “PEN your story competition“. All you have to do is submit a proposal through YouTube for what you would do with a PEN camera and a $5,000 budget. Judges will select 6 videos from the top 20 most “thumbs uped” by the community, and those individuals will receive the camera and money to bring their vision to life.
Someone spotted a wild version of Sony’s upcoming EVIL camera, the NEX3, at a pub in Asia recently and anonymous sent the photographs to the blog Sony Alpha Rumors. This comes just a week after an iPhone 4G prototype was found in a California bar, purchased by gadget blog Gizmodo for $5,000, dissected, and published.
The photographs show the camera (labeled NEX-3) with a 16mm f/2.8 “pancake” lens, which supposedly has image stabilization built in to make capturing video smoother. They also reveal an external flash mounted to the camera via a proprietary hot shoe system. Both this camera and its sibling, the NEX-5, are expected to have 14-megapixel Sony ExmorHD sensors, though the NEX-5 reportedly boasts HD-video capability, while the NEX-3 will be limited to 720p.
Sony’s upcoming cameras are meant to challenge the Micro Four Thirds system cameras made by Panasonic and Olympus, which also feature electronic viewfinders and interchangeable lenses (EVIL). The rumor is that Sony will be announcing these cameras officially on May 11th, and that they will be “aggressively priced” compared to Micro Four Thirds systems.
Here’s a tip for those working for companies that make gadgets: leave the prototypes and not-yet-unveiled devices at home when going to drinking establishments.
Back at the beginning of the year, Wired stirred up some fierce debate when it published an article titled, 5 Reasons to Ditch Your Digital SLR.
Unless you have a specific use that these cameras can’t meet, or you need the very highest level of performance only a Canon 1D or Nikon D3 can bring, you have no reason to buy a DSLR.
Today, they’re at it again with a new article titled, Do Mirrorless Cameras Spell the Death of DSLRs?.
[...] what does it mean for the DSLR, which has for years been the fastest growing sector of the camera market? A DSLR used to be the only way to go if you wanted a camera that had a big sensor and a reasonably responsive shutter. The other benefits, like interchangeable lenses, are arguably only there for the more serious. Take a look around you next time you’re in a tourist spot and you’ll see mostly sub-$1,000 SLRs with the kit zooms still on the front.
The argument is that the large sensors, small camera size, and interchangeable lenses on the newer cameras will steal all but the most serious photographers from the DSLR market. Their view is summed up nicely in the last sentence:
The DSLR won’t die. But it could become a niche product, and the specialist tool of the professional.
What do you think about this debate? Will DSLR cameras start to decline in popularity, or does Wired not know what it’s talking about?
Image credit: novoflex meets gf-1 by icedsoul photography .:teymur madjderey
