French artist Philippe Ramette captures surreal self-portraits in which he appears to be defying gravity. Rather than use digital trickery, Ramette — who started his career as a sculptor — builds metal support structures that allow him to stand or sit at impossible angles.
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Don Hong-Oai was a San Francisco-based Chinese photographer who created beautiful images that resembled traditional Chinese paintings.
The photographs of Don Hong-Oai are made in a unique style of photography, which can be considered Asian pictorialism. This method of adapting a Western art for Eastern purposes probably originated in the 1940s in Hong Kong. One of its best known practitioners was the great master Long Chin-San (who died in the 1990s at the age of 104) with whom Don Hong-Oai studied. With the delicate beauty and traditional motifs of Chinese painting (birds, boats, mountains, etc.) in mind, photographers of this school used more than one negative to create a beautiful picture, often using visual allegories. Realism was not a goal.
Hong-Oai was one of the last photographers to use this technique, and was also arguably the best.
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Before We Begin is a project by photographer Christopher Jonassen (whose frying pan photos we featured here) that consists of diptychs showing clouds and cloud watchers. The images capture peaceful “moments of reflection between thought and action.”
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Norwegian photographer Rune Guneriussen photographs man-made objects in nature as if they belonged there. The objects are arranged to look like packs of animals, humans, and natural formations.
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After finding out that he was going to become a father, photographer Tom Robinson decided to make a creative photo project out of the task of telling his family and friends by capturing their expressions at the moment of hearing the news.
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The photographs in Adam Magyar‘s Square series appear to show crowds of people bustling about in open town squares, seen from a height that makes them look almost like ants. In reality, each photograph is actually a composite of hundreds of individual photos, and none of the squares actually exist. Magyar photographed strangers walking on sidewalks from only 3-4 meters off the ground, and then blended the photographs together to make them seem like they were captured from a fake height!
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Photographer Murray Fredericks took sixteen solo trips over eight years to the center of Lake Eyre in Australia, the largest lake in the country and one that forms salt flats every year when the water evaporates. These salt flats provide a perfectly flat, featureless landscape that extends to infinity in every direction, and allow for beautiful abstract photographs.
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“Genetic Portraits” is a series by Canadian photographer Ulric Collette in which he blends the portraits of two members of the same family into a single face. It’s interesting to see the similarities and differences among people who share DNA — especially when there’s identical twins.
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For his project “Day Into Night”, photographer Stephen Wilkes set up a 4×5 camera with a 39-megapixel digital back 40-50 feet off the ground in a cherry picker, and photographed the scene throughout the course of one day. Keeping a constant aperture, he adjusted his shutter speed to compensate for the position of the sun. Afterward, the hundreds of images captured were edited to roughly 30-50 photos, and then seamlessly Photoshopped together to show a gradual transition from day to night.
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For his project “Back from the Future”, photographer Sander Koot asked his subjects to find old photos of themselves that brought back good memories. He then made portraits of those people reliving those happy moments.
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