Remember the hoopla last year after artist/programmer Kyle McDonald installed an app on Apple store computers to secretly snap portraits of customers? Outcries of “invasion of privacy” sprang up everywhere, and Apple got the Secret Service involved in putting an end to it. Well, photographer Irby Pace has done something similar, but instead of secretly capturing images, Pace simply visits Apple Stores and harvests self-portraits “abandoned” on the devices. Pace collected over 1,000 images in 2010 by emailing and texting them to himself, and is currently displaying them in a gallery exhibition titled “Unintended Consequences”.

Unintended Consequences (via Wired)

Philanthroper founder Mark Wilson was at a photography exhibition at the Art Institute of Chicago when he came across this sign. His response?

Are things so bad we’ve banned sketching? [#]

I wonder what the world will look like when we get to the point where you can capture high-res imagery using your eyes (or even download them from your memory).

(via @ctrlzee via Boing Boing)

Image credit: Photograph by Mark Wilson

In 1974, Japanese photographer Daido Moriyama had an exhibition in Tokyo called “Printing Show” that featured a Xerox machine in the center of the room manned by Moriyama himself. Visitors were encouraged to select photos from the show, which were then reproduced and assembled into custom photo books. This past weekend, Moriyama repeated the show in New York, once again using a photocopier to provide attendees with custom signed editions of the DIY book. The book was titled “TKY” and bound in a nice silk-screened cover.
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Mario Klingemann created this interactive Arduino-powered Facebook Like button. It doesn’t do anything besides tally how many times it’s been pressed, but with the ubiquity of Facebook, most people will instantly know how to use it. Wouldn’t it be interesting if there was a fully-functional Facebook Like button next to every print in a photo exhibition? The buttons would help publicize the exhibition, and would show what visitors think of the photographs. Perhaps it’s only a matter of time before someone actually does this…

(via Laughing Squid via Make)

Image credit: “Like This”, 2011 by Quasimondo and used with permission

If you’ve ever wondered how an art gallery would display the world’s largest photo taken by the world’s largest camera (and aircraft hangar), check out the above artist render of an exhibition that’s opening tomorrow at UC Riverside. The 32×111 foot photo will be wrapped around a two story atrium at the Culver Center of the Arts.

The Great Picture (via RESOURCE MAGAZINE)

At the Hello Demain (Hello Tomorrow) exhibition in Paris, France this year, Nikon showed off a number of strange looking concept camera designs. While it’s pretty unlikely they’re actually planning to release any of these designs, it’s interesting to see what they would come up with for this kind of exhibition.
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Lomography has a huge exhibition going on in Hong Kong’s Times Square shopping center featuring 40,000 Lomo photographs, massive film cartridges, and giant cameras loaded with trampolines.
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“Space Program” is a project by artist Tom Sachs featuring 1:1 models of various space related objects, including an Apollo lunar module, a mission control unit, space suits, and handmade space suits. He also included the above NASA Hasselblad camera as part of the exhibition. Note the stylish wooden crank.

Space Program (via Photojojo)

Image credit: Photograph by Tom Sachs and used with permission

Toronto-based artists Brad Blucher and Kyle Clements have an exhibition titled “Take a Picture” which features paintings that are invisible to the human eye but visible to cameras. To do this, they use a frequency of light that is outside the visible spectrum but visible to the CCD and CMOS sensors found in digital cameras.
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When American photographer Alex Soth arrived in the UK earlier this year to work on a commission for the city of Brighton‘s photo biennial, he was told by the customs officer at the airport that he couldn’t do his photography work without a work visa, and that getting caught might result in two years of jail time.

Instead of going ahead with the project anyway or calling it off, Soth decided to hand his camera over to his 7-year-old daughter Carmen. The duo strolled around Brighton for a few hours each day, with Alex directing many of Carmen’s photographs while Carmen looked to check off entries on the shooting list she made (shown above).
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