Instagram Filters as Photoshop Actions
Want to use Instagram filters without using Instagram? Creative director …
Want to use Instagram filters without using Instagram? Creative director …
Artist and designer Jessica Johnson of Creators Couture has created a unique set of Photoshop brushes that do something we haven't seen before. Stroke by stroke, and controlled by brush size and direction, you can add an impressionist painting effect to all or part of your photos.
As the name of the filter alludes to, these lens filters do indeed lower the overall contrast of a shot. To clarify what that means in relation to photography: these filters will reduce the darkness of the shadows by allowing light to bleed into them from surrounding highlights.
Photographers are intimately familiar with the myriad filters available to them through Photoshop. Nothing like the Instagram-style "filters" we've come to hear about more and more often, these have names like Grain, Diffuse, Ocean Ripple and Pinch.
And although Adobe has had to deal with some negative reactions to its business model as of late, Barcelona based audiovisual studio Device decided to pay tribute to the company's filtering abilities by putting together this short animated tribute to all of Photoshop CS5's filters.
Want to mimic the look of Instagram's filters using Photoshop? We're happy to announce that we have a set of Photoshop files that allow you to do just that.
Designed exclusively for PetaPixel by Eric Öhman of Skellefteå, Sweden, the pack comes with 20 filters that imitate the look of the popular mobile photo sharing app.
Photographer Casey McCallister reverse engineered Instagram’s filters, turning them into actions and presets …
Ricoh chose not to exhibit at CP+ earlier this year, so I took advantage of my extended stay in Japan to visit their corporate headquarters in Ota-ku, Tokyo. (Ota is southwest of central Tokyo, about a 50-minute train ride from where I was staying in Asakusa, on the northeast side of the city.)
Since it began its full scientific operations at the second Lagrange point (L2), about one million miles (1.5 million kilometers) from Earth last year, the James Webb Space Telescope (JWST) has enchanted people around the world. Webb's photos have inspired many people to learn more about space and look at the night sky with unprecedented wonder and curiosity.
I recently wrote a pair of pieces about giving and responding to critiques of photography with a certain level of decorum. As many of you already know, criticism is best given when actually asked for.
Although Adobe's new Creative Cloud (CC) Express is designed to make the company's services more appealing to the average person and not just professionals, the premise of the platform mimics both Canva and Picsart. So how does it stand up?
I’ve been swimming in this industry since the spring of 1997, ultimately on both sides of the lens. I have witnessed titans rise and fall with the decimation of film in favor of digital pixels. I’ve taken part in the tidal wave of new and incredible talent from around the world thanks to affordable cameras and computers.
While landscape photography is a lot about composition and on-location practices, one can never dismiss the importance of post-processing (or editing) the images. One question I am always asked is: "Why is editing necessary?"
My Snow Portrait series consists of photos taken using a technique I "invented" 8 years ago that utilizes the "hollow mask" 3D optical illusion. All the shots in this article are imprints of my face in fairly deep snow lit from underneath, almost like a lithophane. No Photoshop. No filters.
Shooting black and white film over digital in the last few years has changed my approach to photography a great deal. The process of shooting film, from the tactility of the Leica M7 and Rolleiflex 2.8D cameras that I use, to developing and scanning, have given me a much deeper appreciation for the craft of being a photographer.
This is the story behind my Han River project. Boredom helped me to become creative, develop a vision and a style. It also made me start my first photo project. If you’re struggling with starting your own photo project or developing your own vision and style, this blog post might be of help to you.
A few months ago, I published a podcast called The Photographers Conflict which addressed some of the conflicts that photographers seem to have with each other.
Recently, I was looking through a photo gallery of a potential new hire and was a bit dismayed by her use of a particular photo enhancement editing choice. All of her photos were very overly processed with multiple styles, much like the photo below. She did have a wonderful eye, and her composition and posing were really lovely. But her processing choices really distracted from the beauty of her work. The people in her photos didn’t look real.
Google Glass has received a lot of criticism, particularly when it comes to privacy. Given the fact you can record video and take photos without people noticing, some could call it an opportunity for taking photos without permission. Now, in my spare time, I take photos with a particular interest in is Street Photography. Candid street photography is taking photos of any stranger without permission. Why is there this controversy over Glass when candid photography without permission is a growing genre of photography? That is my question.