Comments on: House Season Finale Filmed Entirely with Canon 5D Mark II

By: Guest

Guest — Fri, 06 Jan 2012 02:17:00 +0000

Hey retard, you forgot a period at the end of your second sentence.

By: Intertradeinc

Intertradeinc — Wed, 10 Aug 2011 04:53:00 +0000

Nikon D7000 DSLR
Nikon D5000 DSLR
Nikon D700 DSLR
Nikon D90 DSLR
Nikon D3 12.1MP DSLR
Canon EOS 5D Mark II
Mr Salause Rafeal
E-mail:rafealsalause@gmail.com
Company Name: International Trade Inc
Company No: 13394-M
Address:No. 1 Jalan Jemuju 16/13
40200 Shah Alam
Selangor Darul Ehsan, Malaysia
Skype: rafeal.salause
Phone +60166428792

By: Anonymous

Anonymous — Wed, 01 Jun 2011 22:56:00 +0000

Shhhhhhh!

Let the morons who think owning a 5D will make up for their lack of skills go buy one. That way Canon will make more money and be motivated to develop even better cameras for us to buy who know what we’re doing.

By: Kllee

Kllee — Fri, 06 May 2011 05:35:00 +0000

Can help me for the convert progresive to interlace, because i film video using the 5D,when editing the the video looking in jerking.

By: Three Reasons Why Corporate Training Departments Could Become Extinct | Social Learning Blog

Tue, 26 Apr 2011 14:57:53 +0000

[...] values? A million dollars would barely get you started. Today, broadcast quality video can be shot on a digital SLR camera that costs less than [...]

By: lah

lah — Mon, 25 Apr 2011 13:26:00 +0000

I want to know how they dealt with the OVERHEATING issue.

By: Production Diary IV: My Baby! « lulufilmstudio

Production Diary IV: My Baby! « lulufilmstudio — Thu, 21 Apr 2011 08:20:27 +0000

[...] the 5D a steal. Not to mention that major productions such as True Blood, Saturday Night Live, House and Iron Man 2 have used it as well; which for any professional film maker, again, makes it a huge [...]

By: House MD

House MD — Mon, 11 Apr 2011 14:55:00 +0000

Leno could be shot on a Flip video camera. Bring back Conan and bill it as the first late night show shot on a DSLR. haha

By: Ben

Ben — Wed, 23 Mar 2011 05:25:00 +0000

Yes, unfortunately most of them are. The problem is however mostly to do with the size of the chip (2/3 inch) being the standard for broadcast cameras and the as opposed to 35mm on the mark 2 and the inability to fit cine lenses to most video cameras. The mark 2 is not perfect, it has it’s own problems, primarily the CMOS censor and it being fiddly and sometimes irritating to use, but for it’s price it definatley has a place in the industry. Horses for courses. Personally I think the red one camera is the best digital option on the market, but a kit is much more expensive. Will still choose film whenever we have the budget.

By: HDSLR Cinema: State of the Art | Ian Burgess

HDSLR Cinema: State of the Art | Ian Burgess — Thu, 17 Mar 2011 02:57:28 +0000

[...] the good news: HDSLR is capable of creating cinema quality work previously only achievable with gear costing orders of magnitude [...]