The Honor Magic 6 Pro is a quality smartphone with a camera array built to make the case that it has the goods to be among the best. Honor is a spinoff of Huawei, which let the brand go in 2021 in a bid to evade U.S. sanctions. Since then, Honor has carved out its own purpose and identity, including a current attempt to go public with an IPO.
It is highly unlikely that you have not heard of the Fujifilm X100VI. Similarly, you've probably seen some polarizing discourse around it. For some reason, it's seemingly only appropriate to love this camera or dunk on it. There is no in between.
The biggest video-centric exhibition took place last week and brought with it a ton of news, including a new dual-lens camera from Insta360 called the X4 8K. There are a lot of conflicting reports on the video quality, though and Jordan Drake has thoughts.
The Xiaomi 14 Ultra is the clearest indicator yet that Xiaomi wants to be the best in mobile photography, even if some parts of the world don't know it. Anecdotal as it may be, people react with surprise at the images they see captured by the phone when I show them.
Aura Frames has emerged as a dominant force in the digital frame world, and it's easy to see why. The stunning image quality and ease of use make it a top choice for displaying photos.
Do you want a compact lens with a constant f/2.8 aperture? Does it have to be as sharp as a G-Master lens without the high price? Sony may have just given you what you asked for, provided that you don't need an extensive zoom range.
A couple of weeks ago I upgraded from the Olympus OM-D E-M1 Mark II to the OM System OM-1 Mark II. One of the reasons was for the OM-1 Mark II's greatly enhanced wildlife tracking functions.
An OM System 150-600mm f/5-6.3 has been sitting in the office for months and I haven't touched it since I tested the OM-1 Mark II. Finally, the cold weather had given way and I had no excuse to ignore it anymore. A trip to the Calgary Zoo would let me test out not only the wildlife capabilities of this lens but also the excellent macro versatility that the lens offers.
If you've ever taken photographs with a vintage Barnack Leica, you know that this precursor to modern cameras is considerably more difficult to load film into than pretty much everything that came after it.
As its name indicates, Insta360 is best known for its 360-degree cameras. The recent announcement of the Ace Pro is the company's expansion into the more traditional form factor pioneered by GoPro and integrates some of the industry's latest tech, including a high-end processor and large sensor. But is it enough to set this camera apart in the crowded action camera market?
110 film is an incredibly niche format that is kept alive by one company: Lomography. It has leveraged that by releasing the $160 Lomomatic 110, a cool piece of kit that harks back to the 1970s and produces lo-fi, imperfect images.
Nikon's new Nikkor Z 28-400mm f/4-8 VR lens is a groundbreaking full-frame zoom lens, offering 14.2 times zoom in a lightweight package. Does it come with unacceptable compromises, or is it poised to be the ultimate all-in-one lens for Nikon Z photographers?
I normally dismiss ultra-fast aperture lenses because they tend to be overly large, overly expensive, and overly excessive. I rarely want to have the shallowest depth of field possible, and an f/1.2 lens is only two-thirds of a stop brighter than a reasonably priced f/1.4 lens. But what if I can have my cake and eat it too?
National Geographic's new documentary series, Photographer, lives up to its name. The six, hour-long episodes focus less on beautiful photographs and more on their creation. The series is very much about the person behind the images: the photographer.
I have to admit that I haven't given enough time to review the many, many lenses that are coming to us out of China. The only thing harder than knowing which Chinese camera companies belong to which other camera companies is knowing how to pronounce the often strange naming conventions given to the brands.
The Xiaomi 14 may very well be the kind of phone most should experience, in part because it brings the Leica camera hardware and software to the fore. Previously, Xiaomi only included all Leica features in its Pro or Ultra models, but has now done it for this, the smallest of the bunch. This time, the 14 Pro is a Chinese market exclusive, leaving the 14 and 14 Ultra as the two global options.
I have stitched many panoramas, including those I took with my Canon 24 mm TS lens by shifting the lens from side to side. The TS lens gives easy-to-stitch frames. One uncontrolled element that remains in that case is the parallax shift because the lens position changes. Although that may go unnoticed in landscape panoramas, it is still there.
Microphones are an absolutely critical part of my video kit, and I’m very hard on them. So when I find something that works, I tend to stick with it for a long time.
I like to think I have relatively basic needs when I'm traveling for work. But the one luxury I miss when traveling is a second monitor for my laptop, especially when I need to edit The PetaPixel Podcast. But with the Espresso Display 17 Pro 4K, a hotel room can be as effective a work location as my office at home. It's a transformative product for my workflow on the road.
Since using my first pen tablet over a decade ago, I found that working with display tablets provided an extra level of precision to my work since I could see exactly where my pen strokes were connecting on the screen. This let me be more precise and creative with my edits, but most of these tablets were either incredibly expensive or overly large. The $1,099 Huion Kamvas Pro 19 solves both these problems.
DxO PureRAW 4 promises to “supercharge your cameras and lenses” by offering a suite of image quality corrections for RAW files: deep-learning noise reduction, superior demosaicing, as well as per-lens correction of distortion, softness, vignetting, and aberrations.
I haven’t used an instant camera in a very long time, and I must admit that when the new Fujifilm Instax Mini 99 showed up I was a little flippant about it. After my time with it, I'm happy to admit I was wrong.
For decades, professional photographers have been using the pairing of a 70-200mm f/2.8 and a 300mm f/2.8 to achieve their telephoto goals. Canon introduced the RF 100-300mm f/2.8 L IS USM recently and it just about covers the range of both those lenses. But is it as good?
The Leica SL3 is the latest entry in the high-megapixel camera arena and the first for L-mount in some time. I was excited to get it in my hands, even if it was still in the pre-production phase.
This article will review two prototype lenses from Light Lens Lab: the “1966” 50mm f/1.2 lens and the SPII 50mm f/2 multi-coated rigid design lens. Light Lens Lab based in China has an interesting business model. Instead of designing new highly corrected camera lenses, they re-create special lenses from past decades.
It's a shame the Vivo X100 Pro won't find itself in the hands of many mobile photographers in North America because it raises eyebrows for all the right reasons.
It's been a hot minute since I've played with a true superzoom, so I was unusually excited to see how Panasonic's new compact 28-200mm f/4-7.1 -- the L-mount's first all-in-one zoom lens -- performed.
It’s not often that I get to review a lens that the world has never seen before. I’ve reviewed plenty of f/1.4 lenses and I’ve reviewed the occasional 15mm fisheye, but a 15mm diagonal fisheye with an f/1.4 maximum aperture is a first for me.
When it comes to general-purpose standard zooms, Sony has you covered. With some classic choices like 24-70mm f/2.8 G Master II and 24-105mm f/4 G or the unique Sony FE 20-70mm f/4, there is something for everyone. However, Sony decided to go even further and add the brand new FE 24-50mm f/2.8 G to its growing collection. The idea is to have a more affordable and compact lens alternative to the expensive 24-70mm GM while still having a fast f/2.8 aperture, albeit with a reduced zoom range. I got my hands on one to try, and here is what I found.
When I heard about the latest Sigma lens, the 500mm f/5.6 DG DN Sport, I wanted to revisit the Yamnuska Wolfdog Sanctuary. The new lens sounded ideal because it is unobtrusive, lightweight enough to handhold easily, and has the reach to capture these elusive Wolfdogs in their natural surroundings.
